Sanremo 2026, February 27: lineup for duets and singers. Here's the official list.

La fourth evening of Sanremo 2026, scheduled for Friday 27 February, is entirely dedicated to duets with covers. All the 30 Big in the race They reinterpret Italian and international songs together with guests chosen for artistic affinity or stylistic contrast. The performances are judged by Televoting, Press Room, TV and Web Jury e Radio Jury, and at the end the winner of the cover night.

Next to Carlo Conti e Laura Pausini, the management requires the presence of Nino FrassicaGuests of the evening include Bianca Balti e Francesco Gabbani in Piazza Colombo.

All the duets from the fourth evening of February 27, 2026

Below is the complete list of duets with a brief focus on each performance.

• Arisa with the Chorus of the Teatro Regio di Parma – “What Women Don't Say”: choral reinterpretation of Fiorella Mannoia's piece, with a broad and solemn vocal construction.

• Rag Dolls with Cristina D'Avena – “Cat's Eyes”: a meeting between rock/pop punk and the iconic 80s theme song, an operation that plays on nostalgia and pop culture.

• Chiello with Saverio Cigarini – “I Fell in Love with You”: essential version of Luigi Tenco's classic, built on piano and intimate interpretation.

• Dargen D'Amico with Pupo – “About Us”: a dialogue between contemporary writing and the memory of Sanremo in 1980.

• Ditonellapiaga with Tonypitony – “The Lady is a Tramp”: American jazz standard reinterpreted with alternating swing and a modern approach.

• Eddie Brock with Fabrizio Moro – “Take Me Away”: a song by Moro, focused on emotional intensity and personal narration.

• Elettra Lamborghini with Las Ketchup – “Aserejé”: 2002 global pop hit, built on rhythm, choreography and visual impact.

• Enrico Nigiotti with Alfa – “En and Xanax”: a song by Samuele Bersani that combines singer-songwriter introspection and urban sensibility.

• Ermal Meta with Dardust – “Golden Hour”: international piece reinterpreted through piano and interpretative intensity.

• Fedez & Masini with Stjepan Hauser – “Wonderful Creature”: a tribute to Gianna Nannini that blends pop, rap, and classical cello.

• Francesco Renga with Giusy Ferreri – “Lonely Boy, Lonely Girl”: Italian version by David Bowie, comparison between different timbres.

• Fulminacci with Francesca Fagnani – “Words Words”: a piece by Mina presented in a theatrical key, with the insertion of a non-musical figure.

• J-Ax with Ligera County Fam – “And life, life”: energetic reinterpretation of the song by Cochi and Renato.

• LDA & Aka 7even with Tullio De Piscopo – “Andamento lento”: a generational meeting that enhances the original groove.

• Leo Gassmann with Aiello – “It was all already planned”: Riccardo Cocciante's classic built on vocal dialogue and emotional intensity.

• Levante with Gaia – “The Males”: a piece by Gianna Nannini reinterpreted through a comparison of timbres and female expressive strength.

• Luchè with Gianluca Grignani – “Half-Faced Hawk”: a meeting between melodic pop-rock and contemporary urban language.

• Malika Ayane with Claudio Santamaria – “You Burst Inside My Heart”: song made famous by Mina, with an integration between musical interpretation and acting presence.

• Mara Sattei with Mecna – “The Last Kiss”: a song by Carmen Consoli that combines pop vocals and urban sensibility.

• Maria Antonietta & Colombre with Brunori Sas – “The World”: a reinterpretation of Jimmy Fontana's hit in a contemporary singer-songwriter key.

• Michele Bravi with Fiorella Mannoia – "Tomorrow Is Another Day": comparison between youthful sensitivity and interpretative experience.

• Nayt with Joan Thiele – “The Song of Lost Love”Fabrizio De André's author's page, between urban and melodic.

• Patty Pravo with Timofej Andrijashenko – “I'll Leave You a Song”: piece by Gino Paoli enriched with a choreographic component.

• Raf with The Kolors – “The Riddle”: Nik Kershaw's hit reinterpreted between pop elegance and pop-rock dynamism.

• Sal Da Vinci with Michele Zarrillo – “Five Days”: duet focused on melodic intensity and emotional writing.

• Samurai Jay with Belén Rodríguez and Roy Paci – “Baila Morena”: Zucchero's hit built on Latin rhythm and spectacularity.

• Sayf with Alex Britti and Mario Biondi – “Hit the Road Jack”: Ray Charles's soul classic reinterpreted with guitar, deep voice and freshness.

• Serena Brancale with Gregory Porter and Delia – “Besame Mucho”: international standard that mixes jazz and soul.

• Tommaso Paradiso with Stadio – “L'ultima luna”: a song by Lucio Dalla reinterpreted between pop writing and melodic tradition.

• Thirteen Peters with Galeffi, Fudasca & Band – “Vita”: song written by Mogol and Mario Lavezzi, a symbol of resilience and family memory.

The cover night is not a simple celebratory interlude, but a direct comparison with the collective musical memory, where each artist must find a balance between respect for the original and personal identity.